When I began writing the songs for this album, I was in a very dark place. I had been struggling with lasting concussion symptoms for 3 years, I had two young children who I was struggling to look after the way I wanted to, and a husband who was working himself to the bone trying to hold everything together. Around the same time I lost a close family member to cancer, another to suicide, and I was dealing with the crumbling of my relationship with a dear friend. I was reeling from the sheer pain of it all, from living with chronic illness for so long, and from the many losses. The head injury made it difficult for me to go out and do the things that I would normally do to stay positive: see my friends, go out for dinner or even go to the gym. My once very social self had been cut off at the knees, and to this day I don’t know if I will ever be the same as before.
Writing songs has always been the thing that I have turned to in times of struggle, but this time I was so far gone I didn’t even have the will to write. But something finally shifted ever so slightly, and I decided to learn how to play the piano. I got a beautiful Roland keyboard on monthly installments from Long & McQuade and the floodgates opened. Around the same time I began working with amazing songwriting mentor Debra Alexander, which helped to focus my songwriting and give me the extra push I needed to write on the piano.
All of the pain of the last few years, all of the loss and frustration, came pouring out of me. I was playing and writing every spare moment and when I felt anxiety or sadness creeping in, I would start playing to ease myself out of fight or flight mode. That piano, and the songs that came as a result, have been a saviour of sorts. I am not totally better, but a huge part of me that was lying dormant has been awakened and I have been able to work through much of my pain in the process.