Finding the right producer for an album is quite possibly the most important part of the whole process. The songs have to be there of course, but having badly produced songs is like having mushy pasta: there may have been nothing wrong with the pasta itself, it was just overcooked. I have been lucky enough to work with some amazing producers, including Mitch Girio for my last album Same Old Song. There is a magic that happens when someone brings out the ‘true’ nature of the songs, or can bring forward some truth that you didn’t necessarily even know was there when you were writing them.
I came across producer Dean Drouillard by happenstance. Although I didn’t meet him on Yelp as he likes to joke, our kids became friends in JK at our local public school. An amazing musician and composer in his own right, he is also a sought after guitar player and has played with everyone from Royal Wood to Buffy Sainte-Marie. I asked Dean if he would produce a few demos for me to use to for licensing opportunities and to apply for an Ontario Arts Council grant. Working with Dean for the demos was a pivotal time for me. I hadn’t really admitted to myself that I was ready to get back out there and record another album. I wasn’t sure I could do it with my continuing health struggles, and I felt a mixture of fear and self-doubt.
The songs however, and what Dean was able to bring out of me, told a different story altogether. Listening to the finished product, I heard someone who had both a story to tell and the drive to tell it. I heard power and intimacy and sadness and strength. It was then that I finally admitted to myself that I had to do this. It was Dean who pushed me to apply for the coveted FACTOR Juried Sound Recording Grant which I later received and which is making the dream of Living Proof into an exciting reality.